Works – 2024
Fractures and Infinite Space – The Baroque Revisited
Curated by Peter Thule Kristiansen. Exhibition design by Rasmus Koch. Photographs by Anders Sune Berg. Works by Sizi Pain, Natalie Körner, Anne Romme, Jacob Sebastian Bang, Flemming Tvede Hansen and Maria Sparre-Petersen
Epistemic Artefact CK8_2024_01 and Epistemic Artefact CK8_2024_03 was Maria Sparre-Petersens contribution to the exhibition “Fractures and Infinite Space – The Baroque Revisited” displayed at Officinet and Børglum Kloster.
The exhibitions take their point of departure in the photographs by Anders Sune Berg of Laurits de Thurah’s architecture. Through design experiments, the exhibitors investigate how the formlanguage revealed in de Thura’s work may be reinterpreted and inspire aesthetic diversity in a contemporary context.
Epistemic Artefact CK8_2024_01
Epistemic Artefact CK8_2024_03
Epistemic Artefact CK8_2024_01 and Epistemic Artefact CK8_2024_03
Epistemic Artefact CK8_2024_05 and Epistemic Artefact CK8_2024_06 by Maria Sparre-Petersen
Epistemic Artefact CK8_2024_05 and Epistemic Artefact CK8_2024_06 was Maria Sparre-Petersen’s contribution to the exhibition “Earth Connections” at Matter – House of Craft.
The pieces are fabricated from discarded window found at dumpsters around copenhagen. The window are cut up, reassembled and fused in a mold constructed by discarded kilnshelves from a ceramic workshop. Hence, the projects attempts minimization of the use of virgin materials, as well as minimzing the use of energy for manufacturing.
The pieces are a continuation of the works from the Exhibitions about Lauritz de Thura’s architecture and explores formal variations of the idea of fractures, as a way of altering perception of spatiality.
Epistemic Artefact CK8_2024_01
Epistemic Artefact CK8_2024_03
